Ivan Padovec
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2 Polonaises pour 2 Guitares, Op.33 Poems, Op.434 Pieces for Guitar6 Easy and Instructive Pieces, Op.6A
An den Abendstern, Op.72D
Der Carneval von Venedig mit concertanten Variationen für zwei Guitaren, Op.62Der Heimathlose, Op.74Die Einsame, Op.60Die Sehnsucht, Op.57F
Fantaisie, Op.17Fantaisie, Op.20Fantaisie, Op.21Fantaisie, Op.22Fantaisie, Op.23Fantaisie, Op.24Fantasie über Steyerische National Tänze für die GuitarreFantasie, Op.51Fűreder, Op.7G
Gedenke Mein, Op.58I
In die Ferne, Op.76Introduction and Variations, Op.13Introduction and Variations, Op.14Introduction and Variations, Op.26Introduction and Variations, Op.52Introduction and Variations, Op.61Introduction and Variations, Op.9Introduction et Variations sur le Choeur d'Introduction de 'Norma', Op.41Introduction und Variationen, Op.5J
Junakovanje, Op.73L
Lebensbild, Op.59Leichte Musikstücke für die Guitare für die ersten AnfängerM
Mazur Polka für die GuitarreP
Poputnica IlirskaPremier grand Rondeau, Op.10Première grande Polonaise pour 2 Guitares, Op.18R
Rondoletto, Op.53V
Variationen über ein beliebtes Thema, Op.1Variations brillantes pour la Guitare, Op.2Variations sur l'Air 'Quant je quittai la Normandie' de l'Opéra 'Robert le Diable', Op.25Variations, Op.16Variations, Op.4W
Wir seh'n uns wieder, Op.71Č
ČeznutjeWikipediaIvan Eugen Padovec (17 July 1800 – 4 November 1873), commonly known as Johann (Ivan) Padowetz (see the signature on the photo), born in the baroque town of Varaždin in Croatia (known for its festivals of baroque music), was a guitar virtuoso, who gave concerts in Zagreb, Vienna, Prague, Budapest, Hamburg, London, etc. He constructed a ten-string guitar. Also, his Theoretisch-praktische Guitarrschule was published by Werner & Comp. in Vienna around 1844.
Among Padowetz's five guitar duets, four of them (op.3, op.10 and op.18) require one terz-guitar.
Padowetz composed a large amount of guitar solos: numerous demanding works in forms of variations and fantasias mainly on operatic themes (most of them published in Vienna and some in Paris), but also a lot of short and easy pieces which mainly remained in manuscripts.