Composers

Antonio Maria Bononcini

Voice
Soprano
Violin
Flute
Alto
Orchestra
Recorder
Cello
Secular cantatas
Cantatas
Serenatas
Opera seria
Operas
Libretto
Writings
Sacred oratorios
Oratorio
Religious music
by popularity

#

6 Cantatas, A-Wn Mus.Hs.176076 Secular Cantatas, A-Wn Mus.Hs.17587

A

Amore ingannatoreAndromedaArminio

I

Idol mio, bel tesoroIl tiranno eroe

L

La decollazione di S. Giovanni BatistaLa presa di TebeLontananza

M

Mentre in placido sonnoMerope

O

Occhi, voi che mirate

Q

Quando vedo a mille rose

S

Se avessi in mezzo al pettoSelve, placide selveSesostri, re d'EgittoSinfonia per camera in C minorSopra l'orme d'IreneSul margine adorato

T

Tanto avezzo ho il coreTroppo, troppo rigoreTutta fiamme e tutta ardore

V

Vorrei pupille belle
Wikipedia
Antonio Maria Bononcini (18 June 1677 – 8 July 1726) was an Italian cellist and composer, the younger brother of the better-known Giovanni Bononcini.
Bononcini was born and died at Modena in Italy. Like his brother, he studied with Giovanni Paolo Colonna. Between 1690 and 1693, he played in the orchestra of Cardinal Pamphili. In 1698 he composed an allegory, La fama eroica, for performance in Rome. He worked for some years with his brother, and joined him in the court orchestra at Vienna, where in 1705 he became Kapellmeister to the future Holy Roman Emperor Charles VI. In 1713 he returned to Italy, where he worked in Milan, Naples and Modena. In 1721 he became the maestro di cappella in Modena, where he remained for the rest of his life. In addition to his stage works, he composed over 40 cantatas (most of them for solo voice and harpsichord), as well as sacred music including a Mass in G minor, a Stabat Mater in C Minor, and a Salve Regina.