Partituras $112.00

Original

Poul Ruders. Corpus Cum Figuris. Score. Sheet Music. Chamber Orchestra. CHAM. Poul Ruders.

Tradução

Poul Ruders. Corpus Cum Figuris. Puntuación. Partituras. Orquesta de Cámara. CHAM. Poul Ruders.

Original

Corpus Cum Figuris is a uniform composition in three major parts. The first part is a slow marche funébre , a kind of prologue with dark and sombre sounds and a massive wall of chords which leads us to the other part of the works where the static and solemn atmosphere is suddenly stopped and replaced by a rhythmic. melodic ritual which accelerates the music. In the third part the block structure is softened gradually, different figurations and stylistic elements arise to live their own lives. distant waltzes and pictures from the Middle Ages appear in this gigantic sonorous body. After a wild percussion orgy a short flash-back and a scream from the edge end Corpus cum Figuris. The piece has no literal content at all, even though the title leads the thought to Adrian Leverkühn’s Apocalipsis cum Figuris from Thomas Mann’s Doctor Faustus. More likely, my piece will arouse associations as with all my music. It has to be heard in it’s own conditions, in this case as a big body of music or perhaps as a great screen where the details, of course, are part of the whole body but at the same time are foreign and odd. It is as if one climbs a mountain and from the top of that mountain discovers a world which is completely different from expected. Corpus cum Figuris for 20 musicians was composed in 1984, commissioned by Ensemble InterContemporain and the Danish Radio. Ensemble InterContemporain world premiered the work in April 1985 conducted by Peter Eötvös. The piece was also played at the ISCM-festival in Amsterdam by Netherland Radio Chamber Orchestra conducted by Ernest Bour.

Tradução

Corpus Cum Figuris es una composición uniforme en tres partes principales. La primera parte es un funebre marche lento, una especie de prólogo con sonidos oscuros y sombríos y un muro masivo de acordes que nos lleva a la otra parte de la obra, donde la atmósfera estática y solemne se detiene y se reemplaza repentinamente por una rítmica. ritual melódico que acelera la música. En la tercera parte de la estructura del bloque se suaviza gradualmente, diferentes configuraciones y elementos estilísticos surgen de vivir sus propias vidas. valses distantes y las imágenes de la Edad Media aparecen en este gigantesco cuerpo sonoro. Después de una percusión orgía salvaje de un corto flash-back y un grito desde el borde extremo Corpus cum Figuris. The piece has no literal content at all, even though the title leads the thought to Adrian Leverkühn’s Apocalipsis cum Figuris from Thomas Mann’s Doctor Faustus. Lo más probable es mi pieza despertará asociaciones como con toda mi música. It has to be heard in it’s own conditions, in this case as a big body of music or perhaps as a great screen where the details, of course, are part of the whole body but at the same time are foreign and odd. Es como si uno sube una montaña y desde la cima de esa montaña descubre un mundo que es completamente diferente a la esperada. Corpus cum Figuris por 20 músicos fue compuesta en 1984, encargado por Ensemble Intercontemporain y la Radio Danesa. Ensemble mundo InterContemporain estrenó la obra en abril de 1985 dirigida por Peter Eötvös. La pieza también se jugó en el ISCM-festival en Amsterdam en Holanda Orquesta de Cámara de Radio conducido por Ernest Bour.