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Original

J.S. Bach. Lord My God, My Heart And Soul Were Sore Distrest BWV 21 - Cantata For The 3rd Sunday After Trinity. Vocal Score. Sheet Music. Soprano, Alto, Tenor, Bass Voice, SATB, Piano Accompaniment. SOP. ALTO. TEN. BASS. SATB. PFA. J.S. Bach.

Tradução

J.S. Bach. Señor Dios mío, mi corazón y alma estaban adoloridos Distrest BWV 21 - Cantata para el 3er domingo After Trinity. Vocal Score. Partituras. Soprano, Alto, Tenor, Bass Voice, SATB, Piano Accompaniment. SOP. ALTO. TEN. BAJO. SATB. PFA. J.S. Bach.

Original

The cantata Ich hatte viel Bekümmernis dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year. With its large-scale structure and strong emphasis on biblical texts, it was extremely popular in the 19th century and remains one of Bach’s. best-known cantatas today. The cantata is published here in a vocal score based on the New Bach Edition with an idiomatic, straightforward piano reduction by Martin Focke. One of Bach's best-known cantatas Urtext based on the "New Bach Edition" Clear straightforward piano reduction Singing text in German and English.

Tradução

La cantata Ich hatte viel Bekümmernis data de alrededor de 1713 y probablemente fue realizado por primera vez ese año en la Liebfrauenkirche en Halle. Su asignación para el tercer domingo después de la Trinidad, probablemente, sólo se produjo al año siguiente. With its large-scale structure and strong emphasis on biblical texts, it was extremely popular in the 19th century and remains one of Bach’s. best-known cantatas today. The cantata is published here in a vocal score based on the New Bach Edition with an idiomatic, straightforward piano reduction by Martin Focke. One of Bach's best-known cantatas Urtext based on the "New Bach Edition" Clear straightforward piano reduction Singing text in German and English.