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Original

Le nozze di Figaro KV 492. Wolfgang Amadeus Mozart.

Tradução

Le nozze di Figaro KV 492. Wolfgang Amadeus Mozart.

Original

Le nozze di Figaro KV 492. Die Hochzeit des Figaro. Composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Kurt Pahlen. This edition. SEM 8007. 6th edition, 2005. Books. Librettos. Operas of the world. Text. libretto. Text language. Italian - German. 345 pages. Duration 180 minutes. Published by Schott Music. SD.49041675. ISBN 9783254080073. With Text language. Italian - German. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Apart from the libretto, this edition contains introductory commentaries of Kurt Pahlen who also adds information on the compositional structure and context to the musical as well as external and internal dramatic action of the opera. A short synopsis and a brief outline of the genesis bring the work into relation with the composer's entire oeuvre and life, thus offering a comprehensive, richly illustrated introduction.

Tradução

Le nozze di Figaro KV 492. Las bodas de Fígaro. Compuesta por Wolfgang Amadeus Mozart. 1756-1791. Editado por Kurt Pahlen. Esta edición. SEM 8007. 6th edition, 2005. Libros. Libretos. Óperas del mundo. Texto. folleto. Idioma del texto. Italiano - Alemán. 345 páginas. Duración 180 minutos. Publicado por Schott Music. SD.49041675. ISBN 9783254080073. Con el lenguaje del texto. Italiano - Alemán. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Además del libreto, esta edición contiene comentarios introductorios de Kurt Pahlen quien también añade información sobre la estructura compositiva y el contexto de la obra musical, así como externos y la acción dramática interna de la ópera. Una breve sinopsis y una breve reseña de la génesis llevar el trabajo en relación con toda la obra y la vida del compositor, lo que ofrece una amplia introducción, ricamente ilustrado.