Partituras $65.00

Original

The One I Love Belongs to Somebody Else. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Tradução

The One I Love Belongs to Somebody Else. Partituras de guitarra. -Si bemol trompeta partituras. Música Drums hoja. Partituras de percusión. Partituras para piano. Partitura Trombone. Avanzado.

Original

The One I Love Belongs to Somebody Else by The Jimmie Lunceford Big Band. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Tadd Dameron. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 3 Trumpets, 3 Trombones, Guitar, Piano, Bass, Drums. Written for the Jimmie Lunceford Orchestra. Swing. Medium Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8883. Tadd Dameron was one of the most influential composer. arrangers in American music. Born in 1917, he wrote for bands led by Jimmie Lunceford, Count Basie, Billy Eckstine. many original compositions later performed by the Dizzy Gillespie Orchestra were originally written for Eckstine. , Ted Heath and Tommy Dorsey. He also arranged for Sarah Vaughan, Pearl Bailey and the underrated Kay Penton. Dameron led various groups for live gigs and recordings, and the musicians he played with constituted a who's who of jazz. At one time or another his ensembles included Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, J.J. Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane and Clifford Brown. This arrangement of the Isham Jones. Gus Kahn standard was most likely written in 1942 as at that time Tadd Dameron was writing for the Jimmie Lunceford Orchestra. The arrangement was never recorded, but, due to the wear on the parts, it was clearly performed live on numerous occasions. It is not entirely clear as to why the arrangement wasn't recorded, though it is possible that the reason is that it was written during the recording ban. The next time the Lunceford ensemble would be in the studio for a recording date wasn't until February 1944 - almost two years after this arrangement was most likely written. Dameron crafted a swinging, interesting take on the standard. The trombone section states the melody for the first chorus with nice ensemble hits and backgrounds. The arrangement moves through three key centers. G, Eb, and Gb. While there are no lengthy solos. tenor sax has a 4-bar cameo solo. , there is a great 1. 2 chorus saxophone soli. This arrangement should appeal to medium level groups as the ranges are modest. Ranges. Trumpet 1. to C6. Trombone 1.

Tradução

The One I Love Belongs to Somebody Else by The Jimmie Lunceford Big Band. Editado por Jeffrey Sultanof y Rob Duboff. Arreglado por Tadd Dameron. Para big band. 2 saxofones, 2 saxofones de tenor, saxofón barítono, 3 trompetas, 3 trombones, guitarra, piano, bajo, batería. Written for the Jimmie Lunceford Orchestra. Columpio. Medio Difícil. Partitura y Partes. Publicado por Jazz Lines Publicaciones. JL.JLP-8883. Tadd Dameron fue uno de el compositor más influyente. arreglistas en la música americana. Nacido en 1917, escribió para bandas lideradas por Jimmie Lunceford, Count Basie, Billy Eckstine. muchas composiciones originales realizados posteriormente por la Orquesta de Dizzy Gillespie fueron escritos originalmente para Eckstine. , Ted Heath y Tommy Dorsey. Él también organizó para Sarah Vaughan, Pearl Bailey y la subestimada Kay Penton. Dameron llevó varios grupos para conciertos en vivo y grabaciones, y los músicos con los que jugaba constituyó un quién es quién de jazz. En un momento u otro de sus conjuntos incluidos Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, JJ Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane y Clifford Brown. This arrangement of the Isham Jones. Gus Kahn standard was most likely written in 1942 as at that time Tadd Dameron was writing for the Jimmie Lunceford Orchestra. The arrangement was never recorded, but, due to the wear on the parts, it was clearly performed live on numerous occasions. It is not entirely clear as to why the arrangement wasn't recorded, though it is possible that the reason is that it was written during the recording ban. The next time the Lunceford ensemble would be in the studio for a recording date wasn't until February 1944 - almost two years after this arrangement was most likely written. Dameron crafted a swinging, interesting take on the standard. The trombone section states the melody for the first chorus with nice ensemble hits and backgrounds. The arrangement moves through three key centers. G, Eb, and Gb. While there are no lengthy solos. tenor sax has a 4-bar cameo solo. , there is a great 1. 2 chorus saxophone soli. This arrangement should appeal to medium level groups as the ranges are modest. Rangos. Trompeta 1. a C6. Trombone 1.