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Original

Sackingen op. 103 f. Bertold Hummel. B-Flat Trumpet sheet music. Percussion sheet music. Timpani sheet music.

Tradução

Sackingen op. 103 f. Bertold Hummel. -Si bemol trompeta partituras. Partituras de percusión. Partituras Timbales.

Original

Sackingen op. 103 f. Music for 6 trumpets, timpani. doubling sizzle cymbal. Composed by Bertold Hummel. 1925-2002. For brass instruments, timpani and cymbal. This edition. SHS 3008. Saddle-stitch. Orchestra Music. Schott Harmony Series. Grade 4. Score. Composed 2000. 24 pages. Duration 10 minutes. Published by Schott Music. SD.49019050. ISBN 9790001172219. The title of this piece refers to the place of the world premiere, Bad Sackingen, where the members of the European Trumpet Guild gathered in November 2000. Bertold Hummel was commissioned to compose a piece for that occasion. The composer used six trumpets from the bass trumpet to the piccolo trumpet, complemented by the bassoons only. The three movements are rich in contrast. in the second movement the listener is caught unawares by an 'echo' of Luther's 'Ein feste Burg ist unser Gott'. A well-known modern melody appears in the last movement, is processed and quickly leads to a dramatic finale. Hummel always knew how to write the perfect piece for every occasion or performer, how to capture the audience and how to always remain true to his personal style.

Tradução

Sackingen op. 103 f. Music for 6 trumpets, timpani. doubling sizzle cymbal. Compuesto por Bertold Hummel. 1925-2002. Para los instrumentos de metal, timbales y platillos. Esta edición. SHS 3008. Con grapas. Orquesta Music. Schott Harmony Series. Grado 4. Puntuación. Compuesta 2000. 24 páginas. Duración 10 minutos. Publicado por Schott Music. SD.49019050. ISBN 9790001172219. The title of this piece refers to the place of the world premiere, Bad Sackingen, where the members of the European Trumpet Guild gathered in November 2000. Bertold Hummel was commissioned to compose a piece for that occasion. The composer used six trumpets from the bass trumpet to the piccolo trumpet, complemented by the bassoons only. The three movements are rich in contrast. in the second movement the listener is caught unawares by an 'echo' of Luther's 'Ein feste Burg ist unser Gott'. A well-known modern melody appears in the last movement, is processed and quickly leads to a dramatic finale. Hummel always knew how to write the perfect piece for every occasion or performer, how to capture the audience and how to always remain true to his personal style.