Partituras $40.00

Original

Maji. Full Score. Elizabeth Alexander. Percussion sheet music. Piano sheet music. Timpani sheet music. Intermediate.

Tradução

Maji. Full Score. Elizabeth Alexander. Partituras de percusión. Partituras para piano. Partituras Timbales. Intermedio.

Original

Maji. Full Score. composed by Elizabeth Alexander. For Orchestra. 2222, 2421, timpani, 3 percussion, piano, strings. Water. Moderate. Full score. Duration 13 minutes. Published by Seafarer Press. SF.SEA-079-00. "Maji" takes its name and inspiration from the Swahili word for water. its Arabic root "ma" means not only "water," but also "luster or splendor," often in reference to a diamond. The composer writes. "This word captured my imagination at once. There, in two short syllables, was a word which held both the beauty of water, and the suggestion that it is as precious as a jewel. " True to its etymological root, "Maji" opens with sparkle, but - mirroring its fluid namesake - this bright beginning soon takes a more winding path. Each musical idea flows into the next naturally but unpredictably. picture a small creek in which water gurgles and bubbles, creates swirling eddies, shimmers from within its still surface, widens into a slow deep pool, and then suddenly rushes into a narrow channel. This image of flowing, continuous movement is the work's guiding principle. indeed, whenever musical themes make reappearances - just as in Heraclitus' ever-changing river - they are never the same twice. Commissioned by Minnesota Philharmonic Orchestra, with commissioning partner Saint Paul Central High School. conductors Joseph Schlefke and Matthew Oyen. Minneapolis & Saint Paul, MN. Composer's Note. maji mah'-jee n. Swahili. water This word captured my imagination at once. there, in two short syllables, was a word which held both the beauty of water, and the suggestion that it is as precious as a jewel. In my orchestral portrayal of this magical living substance, each musical idea flows into the next naturally but unpredictably. picture a small creek in which water gurgles and bubbles, creates swirling eddies, shimmers from within its still surface, widens into a slow deep pool, and then suddenly rushes into a narrow channel. This image of flowing, continuous movement is Maji's guiding principle. indeed, whenever musical themes make reappearances - just as in Heraclitus' ever-changing river - they are never the same twice.

Tradução

Maji. Full Score. compuesta por Elizabeth Alexander. Para Orquesta. 2222, 2421, timpani, 3 percussion, piano, strings. Agua. Moderado. Partitura general. Duración 13 minutos. Publicado por la gente de mar de Prensa. SF.SEA-079-00. "Maji" takes its name and inspiration from the Swahili word for water. its Arabic root "ma" means not only "water," but also "luster or splendor," often in reference to a diamond. El compositor escribe. "This word captured my imagination at once. There, in two short syllables, was a word which held both the beauty of water, and the suggestion that it is as precious as a jewel. " True to its etymological root, "Maji" opens with sparkle, but - mirroring its fluid namesake - this bright beginning soon takes a more winding path. Each musical idea flows into the next naturally but unpredictably. imaginar un pequeño arroyo en el que gorjeos agua y burbujas, crea remolinos, shimmers desde su todavía superficie, se ensancha en una piscina profunda y lentamente, y luego se precipita de repente en un estrecho canal. This image of flowing, continuous movement is the work's guiding principle. de hecho, siempre que sea musical temas conforman reapariciones - al igual que en Heráclito siempre cambiante río - que nunca son los mismos dos veces. Commissioned by Minnesota Philharmonic Orchestra, with commissioning partner Saint Paul Central High School. conductors Joseph Schlefke and Matthew Oyen. Minneapolis & Saint Paul, MN. Compositor de Nota. maji mah'-jee n. Swahili. water This word captured my imagination at once. there, in two short syllables, was a word which held both the beauty of water, and the suggestion that it is as precious as a jewel. In my orchestral portrayal of this magical living substance, each musical idea flows into the next naturally but unpredictably. imaginar un pequeño arroyo en el que gorjeos agua y burbujas, crea remolinos, shimmers desde su todavía superficie, se ensancha en una piscina profunda y lentamente, y luego se precipita de repente en un estrecho canal. This image of flowing, continuous movement is Maji's guiding principle. de hecho, siempre que sea musical temas conforman reapariciones - al igual que en Heráclito siempre cambiante río - que nunca son los mismos dos veces.