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Original

Sinfonie X. Dieter Schnebel. Alto Voice sheet music. Voice Solo sheet music.

Tradução

Sinfonie X. Dieter Schnebel. Hoja de Alto Voz música. Voz sola hoja de música.

Original

Sinfonie X composed by Dieter Schnebel. For orchestra, alto voice, live electronics and tape. This edition. ED 8326. Scores. Music Of Our Time. Study score. Composed 1987-1992. 484 pages. Duration 150 minutes. Published by Schott Music. SD.49007918. ISBN 9790001084680. Premiered in 1992 at Donaueschingen, the 'Sinfonie X' with more than 2 hours duration could be considered an 'Opus terminum'. The movements which can be performed individually are like an historical digest in homage to composers of the 20th century. The piano concerto movement 'Hymnus' for example obviously refers to Oliver Messiaen. But 'Sinfonie X' is far more than just the sum of its parts, the vast scope of the symphony as generic form can be felt in the musique concrete of the 'Stille' sections and in some of the other movements, it's like the design for an Utopia, for a new 'Song of the Earth'. Teil I. Stille a - Verkehr. Fanfare I. Entstehungen - Zeitstuck a. Con moto. Scherzo - Zeitstuck b. Kreisen. Teil II. Stille b - Kultur. Fanfare II. Verschwinden. 3a. Hymnus. 3b. Wanderungen. Evolutionen - Involutionen. Valse - Zeitstuck c. Adagio - Zeitstuck d. Finale alla marcia. Moglichkeiten. Schluss-Stuck. Stille c - Natur.

Tradução

Sinfonie X composed by Dieter Schnebel. For orchestra, alto voice, live electronics and tape. Esta edición. ED 8326. Partituras. Música de nuestro tiempo. Partitura de estudio. Composed 1987-1992. 484 páginas. Duración 150 minutos. Publicado por Schott Music. SD.49007918. ISBN 9790001084680. Premiered in 1992 at Donaueschingen, the 'Sinfonie X' with more than 2 hours duration could be considered an 'Opus terminum'. The movements which can be performed individually are like an historical digest in homage to composers of the 20th century. The piano concerto movement 'Hymnus' for example obviously refers to Oliver Messiaen. But 'Sinfonie X' is far more than just the sum of its parts, the vast scope of the symphony as generic form can be felt in the musique concrete of the 'Stille' sections and in some of the other movements, it's like the design for an Utopia, for a new 'Song of the Earth'. Teil I. Stille a - Verkehr. Fanfare I. Entstehungen - Zeitstuck a. Con moto. Scherzo - Zeitstuck b. Kreisen. Teil II. Stille b - Kultur. Fanfare II. Desaparición. 3a. Hymnus. 3b. Wanderungen. Evolutionen - Involutionen. Valse - Zeitstuck c. Adagio - Zeitstuck d. Finale alla marcia. Moglichkeiten. Schluss-Stuck. Stille c - Natur.