Partituras $16.00

Original

Awatovi. Bassoon sheet music. Clarinet Solo sheet music.

Tradução

Awatovi. Partituras Fagot. Clarinete Solo la música de hoja.

Original

Awatovi composed by Daniel Baldwin. For Clarinet, Bassoon & Piano. Level 5. Published by Imagine Music. IG.CMS126. The Awatovi ruins, located in Arizona, were once a thriving Hopi village, in existence for over 450 years before their first visitors arrived in 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, for over 150 years, enjoyed a fairly peaceful coexistence with the Spaniards afterward, but by 1700, finally came to a clash between traditionalist Hopi and the converted Catholics. The result was that the traditionalists massacred the converts and then destroyed the village. Symbolically, the fall of the village marked the end of Spanish interference in Hopi life. The opening line by the bassoon represents the mixed intentions of those first explorers led by Coronado, and is intended to convey both Spanish and Native American voices. It is also a vision of the future to come, a haunting foreshadowing of the beautiful yet barren ruins to come. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. While Coronado's exploration was not without conflict, I chose to focus on the peaceful nature of his mission. There are two sections here. both are Spanish-flavored, but the first is representative of the exploration, while the second section is intended to suggest a campfire song reflecting what the journey might have been like at nighttime as they rested, chatted, and sang songs. This leads into movement two. Kiva. The Kiva murals were discovered in theAwatovi ruins. They are paintings representing Hopi tribal rituals and ceremonies. I have used the style of NativeAmerican flute music to portray this. Next is the Bugle Call, or El Deguello, represented and played by the bassoon. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. The music shifts to represent the actual attack, which is portrayed by a very dissonant and dramatic transitional passage. Finally, Kiva circles back to the opening material in a different key, symbolic of the shift in perception from Spanish conquistador, to Hopi descendant. Awatovi was written at the suggestion my good friend Ric Jones, and was supported by Richard Ramey and a consortium of oboe and bassoon players. Thanks to all of you for your vision and support of this project. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. The clarinet, bassoon, and piano version was premiered at the 2012 IDRS conference at Miami University of Ohio by Robert and Mary Nan Jordan on July 9, 2012.

Tradução

Awatovi compuesta por Daniel Baldwin. Para Clarinete, Fagot. Nivel 5. Publicado por Imagine Music. IG.CMS126. Las ruinas Awatovi, ubicados en Arizona, fueron una vez un pueblo próspero Hopi, existe desde hace más de 450 años antes de que sus primeros visitantes llegaron en 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, por más de 150 años, disfrutó de una convivencia justa pacífica con los españoles después, pero en 1700, finalmente se llegó a un enfrentamiento entre tradicionalistas Hopi y los católicos convertidos. El resultado fue que los tradicionalistas masacraron a los conversos y luego destruyeron la aldea. Simbólicamente, la caída de la aldea marcó el fin de la interferencia en la vida española Hopi. La línea de apertura por el fagot representa las intenciones mixtas de los primeros exploradores liderados por Coronado, y se pretende transmitir ambas voces hispanoamericanas y nativos. Es también una visión del futuro por venir, un presagio inquietante de las hermosas ruinas aún estériles por venir. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. Si bien la exploración de Coronado no estuvo exento de conflictos, he optado por centrarse en la naturaleza pacífica de su misión. Hay dos secciones aquí. ambos son españoles-con sabor, pero el primero es el representante de la exploración, mientras que la segunda sección se pretende sugerir una canción fogata reflejando lo que el viaje podría haber sido como en la noche mientras descansaban, charlaron y cantaron canciones. Esto conduce en movimiento dos. Kiva. The Kiva murals were discovered in theAwatovi ruins. Son pinturas que representan los rituales y ceremonias de las tribus hopi. I have used the style of NativeAmerican flute music to portray this. Siguiente es el Bugle Call, o El Deguello, representada e interpretada por el fagot. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. La música cambia para representar el ataque real, que es interpretado por un pasaje de transición muy disonante y dramático. Por último, los círculos Kiva espalda al material abertura en una clave diferente, simbólico del cambio en la percepción del conquistador español, al Hopi descendiente. Awatovi fue escrito por sugerencia de mi buen amigo Ric Jones, y fue apoyado por Richard Ramey y un consorcio de jugadores del oboe y fagot. Gracias a todos ustedes por su visión y apoyo a este proyecto. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. La versión de clarinete, fagot y piano fue estrenada en la conferencia IDRS 2012 en Miami University of Ohio por Robert y Mary Nan Jordania el 09 de julio 2012.