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Original

Two Mendelssohn Partsongs. Felix Bartholdy Mendelssohn. A Cappella sheet music. Intermediate.

Tradução

Dos Mendelssohn Partsongs. Felix Mendelssohn Bartholdy. A partituras Cappella. Intermedio.

Original

Two Mendelssohn Partsongs. SATB A Cappella. Composed by Felix Bartholdy Mendelssohn. 1809-1847. Arranged by Francis J. Guentner. For SATB choir. a cappella. Prima Cantate Series. Medium. Octavo. Published by Roger Dean Publishing. LO.15-1084. The part song, written for mixed choruses or equal-voiced ensembles, was a form actively cultivated by nineteenth-century German composers, Schubert, Schumann, Weber, Brahms -- and in this case, Mendelssohn. In fact, Mendelssohn wrote more than 25 of these very attractive pieces. The songs were intended for amateur or semi-professional groups. Their texture is for the most part homophonic, and they were to be sung without accompaniment. The lyrics of some of the finest German poets were often chosen for the texts and Mendelssohn has used texts by Uhland for both of these settings.

Tradução

Dos Mendelssohn Partsongs. SATB A Cappella. Compuesto por Felix Mendelssohn Bartholdy. 1809-1847. Arreglado por Francis J. Guentner. Para SATB coro. a cappella. Antes de la serie Sing. Medio. Octavo. Publicado por Roger Dean Publishing. LO.15-1084. La canción parte, escrita para coros mixtos o de un arreglo de igual voz, era una forma cultivada de forma activa por los compositores alemanes del siglo XIX, Schubert, Schumann, Weber, Brahms - y en este caso, Mendelssohn. De hecho, Mendelssohn escribió más de 25 de estas piezas muy atractivas. Las canciones estaban destinadas a grupos de aficionados o semiprofesionales. Su textura es en su mayor parte homofónica, y fueron para ser cantado sin acompañamiento. La letra de algunos de los mejores poetas alemanes eligen a menudo para los textos y Mendelssohn ha utilizado textos de Uhland para estas dos configuraciones.