Partituras $19.95

Original

The Guitar Chord Shapes of Charlie Christian. Charlie Christian. Guitar sheet music.

Tradução

Los acordes de guitarra Formas de Charlie Christian. Charlie Christian. Partituras de guitarra.

Original

The Guitar Chord Shapes of Charlie Christian by Charlie Christian. For Guitar. Guitar. Softcover with CD. 93 pages. Published by Centerstream Publications. HL.388. ISBN 1574241494. 9x12 inches. The concepts and fingerings in this book have been developed by analyzing the licks used by Charlie Christian. Chord shapes are moveable. thus one can play the riffs in virtually any key without difficulty by simply moving the shape, and fingerings used to play them, up or down the fingerboard. The author shows how the chord shapes – F, D and A – are formed, then can easily be modified to major, minor, dominant seventh and diminished seventh chord voicings. Analyzing licks frequently used by Charlie Christian, Joe has identified a series of what he calls tetrafragments, i. , the core element of a lick. The identifiable “sound” of a particular lick is preserved regardless of how many notes are added on either side of it, e. , pickup notes or tag endings. Many examples are shown and played on the CD of how this basic concept was used by Charlie Christian to keep his solo lines moving forward. Weidlich also makes observations on the physical manner Charlie Christian used in playing jazz guitar and how that approach contributed to his smooth, mostly down stroke, pick technique.

Tradução

Los acordes de guitarra Formas de Charlie Christian por Charlie Christian. Para Guitarra. Guitarra. Tapa blanda con CD. 93 páginas. Publicado por Centerstream Publicaciones. HL.388. ISBN 1574241494. 9x12 pulgadas. Los conceptos y las digitaciones de este libro han sido desarrollados mediante el análisis de los licks utilizados por Charlie Christian. Formas de acordes se pueden mover. por lo tanto uno puede jugar los riffs en prácticamente cualquier llave sin dificultad con sólo mover la forma, y ​​digitaciones utilizado para reproducirlos, arriba o abajo del diapasón. El autor muestra cómo las formas del acorde - F, D y A - se forman, a continuación, puede ser fácilmente modificado para mayor, menor, séptima dominante y disminuida séptima voces de acordes. Analizando lame con frecuencia utilizados por Charlie Christian, Joe ha identificado una serie de lo que él llama tetrafragments, i. , El elemento central de una mano. El "sonido" identificable de una mano en particular se conserva independientemente de cuántas notas se añaden a cada lado de la misma, e. , Notas de recogida o finales de etiqueta. Muchos ejemplos se muestran y se reproducen en el CD de cómo este concepto básico fue utilizado por Charlie Christian para mantener sus líneas solistas avanzar. Weidlich also makes observations on the physical manner Charlie Christian used in playing jazz guitar and how that approach contributed to his smooth, mostly down stroke, pick technique.