Partituras $26.99

Original

Bluegrass Jazz Guitar Volume 1. Electric Guitar sheet music. Flatpicking Guitar sheet music. Advanced.

Tradução

Bluegrass Jazz Guitar Volumen 1. Electricidad partituras Guitar. Flatpicking partituras Guitarra. Avanzado.

Original

Bluegrass Jazz Guitar Volume 1 composed by Barry Solomon. For Guitar. Flatpicking. Saddle-stitched, methods. Grossman Audio. Solos. Transcriptions. Intermediate-Advanced. Book. 3-CD Set. 36 pages. Published by Mel Bay Publications, Inc. MB.30203BCD. ISBN 9780786685639. Solos. Transcriptions. 8.75 x 11.75 inches. Flatpicking guitar has taken an interesting journey since its inception, first with Maybelle Carter, then Don Reno, Doc Watson and Clarence White. Younger players who began by listening to the original masters have melded those influences with other styles, including blues, swing, classical and even various world music styles. When first listening to Doc Watson and Clarence White, Barry Solomon was particularly attracted to their use of swing and jazz licks and phrasing, and their choices of songs straight from the Tin Pan Alley and Great American Songbook. Tunes like Limehouse Blues, All of Me, and Honeysuckle Rose were exciting challenges to explore after becoming comfortable with bluegrass and fiddle tunes. Barry always thought that bluegrass and jazz were a wonderful combination, and the most gratifying challenge has been to create arrangements that meld both styles in a tasteful and exciting manner. Titles presented in Volume 1 include. Lady Be Good, Take the A Train, Solly's Blues, Back Home In Indiana, There'll Never Be Another You and Georgia On My Mind. Accompanying audio is included.

Tradução

Bluegrass Jazz Guitar Volume 1 composed by Barry Solomon. Para Guitarra. Flatpicking. Cosidos con silla, métodos. Grossman Audio. Solos. Transcripciones. Intermedio-Avanzado. Libro. 3-CD Set. 36 páginas. Publicado por Mel Bay Publications, Inc. MB.30203BCD. ISBN 9780786685639. Solos. Transcripciones. 8,75 x 11,75 pulgadas. Guitarra Flatpicking ha tomado un viaje interesante, desde su creación, primero con Maybelle Carter, entonces Don Reno, Doc Watson y Clarence White. Los jugadores más jóvenes que comenzaron a escuchar a los maestros originales han fusionado estas influencias con otros estilos, incluyendo blues, swing, clásica e incluso diversos estilos de música del mundo. La primera vez que escucha de Doc Watson y Clarence White, Barry Solomon fue particularmente atraídos por el uso de swing y jazz lame y frases, y sus opciones de canciones directamente desde el Tin Pan Alley y Great American Songbook. Tunes como Limehouse Blues, All of Me, y Honeysuckle Rose eran retos interesantes para explorar después de sentirse cómodo con el bluegrass y melodías de violín. Barry siempre pensó que el bluegrass y el jazz eran una combinación maravillosa, y el desafío más gratificante ha sido la creación de los arreglos que se unen los dos estilos de una manera elegante y emocionante. Títulos que se presentan en el Volumen 1 incluye. Lady Be Good, Take the A Train, Blues de Solly, vuelta a casa en Indiana, Habrá Nunca Sé Otro Usted y Georgia On My Mind. Acompañamiento de audio está incluido.