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Partituras $65.00

Original

String Quartet No. 12 in F Major, Op. 96. American. for Wind Quintet. Antonin Dvorak. Bassoon sheet music. Cello sheet music. Horn sheet music. Oboe sheet music. Viola sheet music. Violin sheet music.

Tradução

Cuarteto de cuerdas N º 12 en fa mayor, op. 96. Americano. para quinteto de viento. Antonin Dvorak. Partituras Fagot. Partitura Cello. Partituras de Hornos. Partituras Oboe. Hoja Viola música. Partituras para violín.

Original

String Quartet No. 12 in F Major, Op. 96. American. for Wind Quintet. The New York Woodwind Quintet Library Series. Composed by Antonin Dvorak. 1841-1904. Edited by Charles Neidich. Arranged by George Barrere and Samuel Baron. For Woodwind Quintet. Score & Parts. Southern Music. Southern Music Company #SU781. Published by Southern Music Company. HL.124645. ISBN 1581061706. 9x12 inches. AntoninDvorak composedthe quartet in F Major, op. 96 “The American” in the summer of 1893 during hissummer vacation in Spillvale, Iowa. From 1892-1895, Dvorak served as director of the National Conservatory of Music in NYC. He had been interested in “AmericanMusic” and felt that Native American and Afro-American music could inspire an“American Music” distinct from European influences. He was inspired by. HenryThacker. Harry Burleigh, his student in New York and one of the firstAfro-American composers. While it isimpossible to know why Georges Barrere chose Dvorak's F Major Quartet totranscribe for Woodwind Quintet, we may easily hazard several guesses. Firstly,it was a work much beloved by the public and very respected by professionalmusicians. As an immigrant himself, Barrere could easily sympathize withDvorak's desire to create a distinctly American work. A work in the key of FMajor, it lent itself easily to wind transcription. While known as the Barreretranscription, it turns out that Samuel Baron, one of Barrere's most famousstudents and a long time member of the New York Woodwind Quintet, who has tohis credit a long list of wonderful transcriptions for woodwind quintet, playeda significant role in the transcription.

Tradução

Cuarteto de cuerdas N º 12 en fa mayor, op. 96. Americano. para quinteto de viento. La Biblioteca de la Serie Nueva York Quinteto de Alientos. Compuesto por Antonin Dvorak. 1841-1904. Editado por Charles Neidich. Arreglado por George Barrere y Samuel Baron. Para Quinteto de Alientos. Puntuación. Southern Music. Южный Music Company. Publicado por Southern Music Company. HL.124645. ISBN 1581061706. 9x12 pulgadas. AntoninDvorak cuarteto composedthe en fa mayor, op. 96 El americano en el verano de 1893 durante hissummer vacaciones en Spillvale, Iowa. Desde 1892-1895, Dvorak se desempeñó como director del Conservatorio Nacional de Música en Nueva York. . Se inspiró en. HenryThacker. Harry Burleigh, su alumno en Nueva York y uno de los compositores firstAfro-americanos. Si bien isimpossible saber por qué Georges Barrere eligió Fa Mayor Cuarteto totranscribe de Dvorak para Quinteto de Alientos, podemos aventurar fácilmente varias conjeturas. En primer lugar, era una obra muy querido por el público y muy respetado por professionalmusicians. Como un inmigrante, Barrere fácilmente podría simpatizar deseo de withDvorak para crear una obra típicamente americano. Una obra en la clave de FMajor, se prestaba fácilmente a terminar la transcripción. Aunque conocido como el Barreretranscription, resulta que Samuel Baron, uno de los más famousstudents de Barrere y un miembro de largo plazo de la Nueva York Quinteto de Alientos, que tiene tohis acreditar una larga lista de transcripciones maravillosas para quinteto de viento, playeda papel significativo en la transcripción.