Instrumentos
Ensembles
Opera
Compositores
Artista

Partituras

Original

Plaudite tympana à 54. Heinrich Biber. Orchestra. 2 string groups. 2 violins, 4 violas each. , 2 descant recorders, treble and tenor recorders, 2 oboes, 2 clarini, 2 cornetti, 3 trombones, 2 trumpet groups. 4 trumpets, timpani each. , 2 organs, continuo. Sacred , Motet , Hymn. Language. Latin. SSAATTBB–SSAATTBB.

Tradução

Plaudite tympana à 54. Heinrich Biber. Orquesta. 2 grupos de cuerda. 2 violines, violas cada 4. , 2 descant recorders, treble and tenor recorders, 2 oboes, 2 clarini, 2 cornetti, 3 trombones, 2 trumpet groups. 4 trompetas, timbales cada. , Dos órganos, continua. Sagrado, Motete, Himno. Idioma. Latin. SSAATTBB–SSAATTBB.

Original

This motet is a hymn accompanying the Missa Salisburgensis , composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. The vocal and instrumental forces comprise 16 solo and ripieno voice parts, and at least 38 instruments. the continuo is assumed to include a bass viol amongst other bass instruments, and possibly another keyboard instrument in addition to the two organs. In this motet, only the second bass of the second choir lacks a designated solo part. The score survives as a manuscript inscribed on massive 80 centimetre tall pages. From the time of its rediscovery in the late 19th century the work was attributed to the early 17th century composer Orazio Benevoli. who would have been 23 years old at the assumed date of composition. , or the later Salzburg composer Andreas Hofer, however the noted Biber scholar Ernst Hintermaier showed in the 1970s that Biber is the only possible composer of the work.

Tradução

This motet is a hymn accompanying the Missa Salisburgensis , composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. Las fuerzas vocales e instrumentales comprenden 16 solistas y voz ripieno partes, y al menos 38 instrumentos. el continuo supone incluir un bajo de viola, entre otros instrumentos graves, y posiblemente otro instrumento de teclado, además de los dos órganos. In this motet, only the second bass of the second choir lacks a designated solo part. La puntuación sobrevive como un manuscrito inscrito en masivas 80 centímetros de altura páginas. Desde la época de su redescubrimiento en el siglo 19 la obra se atribuyó a principios del siglo 17 compositor Orazio Benevoli. que habría sido 23 años en la fecha supuesta de composición. O la tarde Salzburgo compositor Andreas Hofer, sin embargo, el erudito Biber señaló Ernst Hintermaier mostró en la década de 1970 que Biber es la única posible, compositor de la obra.