Partituras

Original

O quam glorifica II. another anonymous setting is found in Tr. 92. Anonymous. A cappella. Sacred , Office hymn variously assigned to the marian feasts of the Nativity or the Purification. Language. Latin. SST or SAT. two different versions.

Tradução

O quam glorifica II. another anonymous setting is found in Tr. 92. Anónimo. A capella. Sacred , Office hymn variously assigned to the marian feasts of the Nativity or the Purification. Idioma. Latin. SST or SAT. two different versions.

Original

A Blessed Virgin Mary hymn transcribed from the Trent manuscript tr87. The time signatures, notes' values and colourings are as in the manuscript, the perfect notes are dotted. The coloured are in "proportio sesquialtera". 3 vs. The 3rd voice is puzzling. it's clearly an added voice, alternative to the 2nd voice but with also several conflicting mesures with the 1st one, moreover it's not always readable. Its use with or without changes is left to the performer's judgement. The notes' values within the ligaturæ are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ.

Tradução

A Blessed Virgin Mary hymn transcribed from the Trent manuscript tr87. Las firmas de tiempo, valores y colorantes notas 'son como en el manuscrito, las notas perfectas son puntos. The coloured are in "proportio sesquialtera". 3 vs. The 3rd voice is puzzling. it's clearly an added voice, alternative to the 2nd voice but with also several conflicting mesures with the 1st one, moreover it's not always readable. Its use with or without changes is left to the performer's judgement. Los valores de las notas dentro de la ligaturæ son los siguientes. las notas de izquierda upstemmed son semibreves - las notas sin despalillar son breves - el derecho downstemmed notas son longae.